Seminar 7: Notation and Contemporary Repertoire of sheng – François Picard (Sorbonne Université, IReMus) : Les notations de l’orgue à bouche sheng – Chung II-Ryun (AsianArt Ensemble / Akademie für Tonkunst Darmstadt) : Realising works for sheng and other asian instruments in combination with Western string instruments in the AsianArt Ensemble Seminar 8: How to listen to the sound of sheng? – Liao Lin-Ni (TPMC / IReMus) : Quel enseignement propose Wu Wei dans son répertoire contemporaine du sheng? / What instructional approach is suggested by Wei’s legacy in contemporary repertoire for sheng? (Video) – Christian Utz (University of Music and Performing Arts Graz / University of Vienna) : Contextualizing the sheng - Critique of Cultural Essentialism and Political Violence in my Works for Chinese-Western ensemble (Video) – Alexis Baskind & Wu Wei : Une forêt de tuyaux - Le sheng présenté de l'intérieur / Realising works for sheng and other asian instruments in combination with Western string instruments in the AsianArt Ensemble (Video) Seminar 9: Wu Wei etl'orgue à bouche en 37 tuyaux - Discussion avec Maître du sheng Seminar 10: Analyse acoustique de l'orgue à bouche – René Caussé (IRCAM - STMS) : Comparaison du fonctionnement du sheng et du khène - Que nous apporte la visualisation de la vibration des anches et retour sur plusieurs résultats exposés précédemment? (A comparison of sheng and Khène acoustics: What we found out with the visualization of reed vibration, and new perspectives on previous results) – Julie Delisle (Université de Montréal) and Mikhail Malt (IRCAM - IReMus) : Caractérisation spectrale des sons de sheng : entre interactions, adaptations et technique instrumentale (Spectral characteristics of sheng tones: between interactions, adaptations, and instrumental technique) Seminar 11: Répertoire contemporain du shô – Seiko Suzuki (Osaka University / CRCAO) : Réflexion ethnographique sur l’authenticité du gagaku traditionnel hors de l’Agence impériale : à travers la mesure pour le shô dans l’Ensemble Gagaku Dôyûkai – Wataru Miyakawa (Meiji University) : L’orgue à bouche shō dans l’œuvre musicale de Toshio Hosokawa Info l www. tpmc-paris.com Co-Production : Ircam et TPMC - Tout Pour la Musique Contemporaine Avec le soutien de : Drac Ile-de-France, IReMus, CNRS, Collegium Musicæ, SACEM, Meiji University et Osaka University[vc_empty_space height="12px"]
Equipe de pilotage :
Jean-Marc Chouvel (Sorbonne Université, IReMus)
Pierre Couprie (Université d’Évry / Université Paris-Saclay)
Lin-Ni Liao (TPMC – IReMus)
Mikhail Malt (IRCAM – IReMus)
François Picard (Sorbonne Université, IReMus)
sheng! l'orgue à bouche
Saison 2020-2021 - Séminaires
Date: Mardi 13 octobre 2020 | Salle Stravinsky, IRCAM
Date: Mercredi 9 décembre 2020 | Online Seminar
Date: Lundi 15 février 2021 | Online Seminar
Date: Mardi 13 avril 2021 | Online Seminar
Date: Mardi 1 Juin 2021 | Salle Stravinsky, IRCAM & IRCAM YouTube
Reservation l reservation@tpmc-paris.com
Question - Contact l contact@tpmc-paris.com
research 2019-2020 ∣ research 2020-2021 ∣ research 2021-2022 ∣ research 2022-2023 ∣ research 2023-2024 ∣ research 2024-2025
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